After destroying some of her father’s roses by digging up clay to make things as a child, Scottish ceramicist Wendy Kershaw went on to graduate with first class honours from Gray’s School of Art, Aberdeen, followed by a Masters degree at Cardiff. Her ceramic practice has continued over thirty years, as artist in residence in schools, further education tutor, ceramics technician at The Glasgow School of Art and master course leader at the International Ceramics Studio, Kecskemet, Hungary.
Kershaw was invited to three residencies in China, in the historic porcelain capital of Jingdezhen, Shanghai, and as part of the UK delegation to the FuLe International Ceramic Art Museums. These rich cultural experiences helped move her work in new directions, with the inclusion of decals and glaze. Her work is part of the permanent collection at Jingdezhen, FLICAM ceramic museums and the International Ceramics Studio.
She uses porcelain to illustrate an intimate world in which small acts of everyday life are imbued with importance. A sensitive balance of bold composition and subtle detail results in a rich narrative that is both weighty and humorous. Work has playfully interpreted proverbs and poems, and recent work deals with anticipated small joys, often the joy of pudding.
Constructed from porcelain slabs, forms include framed panels, books with moveable pages and folding screens. The intricate illustrations are etched with fine sewing needles onto the raw clay. Underglaze stains are washed on, erased and built up, and after high firing a layering of decals and enamels are applied and fired on.